Richard Currier

Twilight Hammock by Richard Currier
Twilight Hammock
48x72
Tempest by Richard Currier
Tempest
24x24
Low Country
Low Country
50x49.5
Levitation Pepper
Levitation Pepper
48x40
East End Sunrise by Richard Currier
East End Sunrise
72x72
Migration by Richard Currier
Migration
60x84
Lady of the Night by Richard Currier
Lady of the Night
48x48
Storm Rising
Storm Rising
48x48x3
On Edge
On Edge
40x40
3 Mangos on White
3 Mangos on White
48x48
Red Apple
Red Apple
30x30
Sentinel by Richard Currier
Sentinel
72x48
Migration II by Richard Currier
Migration II
30x45
Twilight II by Richard Currier
Twilight II
48x48
Mango Suspended
Mango Suspended
53x36
Wetland by Richard Currier
Wetland
24x24
Resurrection Series — Orchid
Resurrection Series — Orchid
67.75x49.5
3 Mangos on Red by Richard Currier
3 Mangos on Red
24x34
Amber Dawn by Richard Currier
Amber Dawn
48x48
3 Carambolas on Black
3 Carambolas on Black
48x48
On Edge-Pear
On Edge-Pear
30x30
Wetland II by Richard Currier
Wetland II
36x60
2 Mangos on Red
2 Mangos on Red
24x32
Low Country II by Richard Currier
Low Country II
36x36
Twilight by Richard Currier
Twilight
24x24
Retreating Storm by Richard Currier
Retreating Storm
15x15
Savannah in Green and Gold by Richard Currier
Savannah in Green and Gold
24x24
Man Asleep by Richard Currier
Man Asleep
72x48
Slice - Papayas by Richard Currier
Slice - Papayas
36x40
Richard Currier

The effects of Paris and the impressions of Amsterdam are apparent in all the paintings which come from the gifted palette of this powerful painter. His works are riveting in the "simple complexity" which personifies his spirit. A watermelon becomes much more than a static piece resting on a bountifully laden table and two watermelons, seeming to prop up one another, become much MUCH MORE than merely two pieces of fruit. What they become, how visually they are transformed remains the mystery and the skill of vision which epitomizes the beautiful paintings of Richard Currier.The focus of his particular interest was the subject of a story about him in American Artist Magazine entitled "On Handling Intimate still-life."

Many of the early and revered masters worked diligently to discover the mystery surrounding the illusive relationships arranging fruit or flowers or greenery and then painting them. The challenge has always occupied this dedicated artist and it remains precisely that, the ultimate frustration. "Throughout my career I have explored a variety of subjects in various representational styles; however, the true subject of my paintings has always been the fusion of light and atmosphere."

ducated at the Ringling School of Art & Design, with additional studies and research abroad, Richard Currier has been the recipient of many awards, has exhibited extensively throughout the southeastern part of the United States and is honored to be in several museums as well as certain prestigious collections.

"From simple arrangement to the very complex where objects become as characters in a stage play, each object with its own role that comes together in a moment of clarity and purpose. The series entitled 'Movable Feasts' embodies paintings that combine all the above elements, existing in a turbulent atmosphere of substance and movement. I paint until the objects become more than what they are. I am intrigued by contrasting elements - color and shape, abstract and objectivity, balance and tension." Such is the Artist Statement of Richard Currier, artist extraordinaire.